
I don't know who I'm talking to since most of the film-viewing world agrees, but The Dark Knight is nothing short of a masterpiece! One might expect one of the most artistically dignified superhero epics in history to send comic book purists and summer popcorn crowds home with equal confusion or disappointment. One might also expect the most hyped, aggressively marketed films to be incapable of delivering on its gratuitously polished promises (and rightly so). Fortunately for audiences and filmmakers everywhere, The Dark Knight does neither. Clearly there are rave reviews a-plenty, but my personal highlights include Aaron Eckhart's impressively subtle portrayal of a man caught between his own zealous idealism and seething rage; Gary Oldman and Morgan Freeman's enhanced character developments and extended screen time, both ushered in with great performances; Christian Bale's improvements on Batman's growl and Bruce Wayne's earnest wrestling with morality; and finally, Heath Ledger's uncanny tour-de-force as the maniacal Joker. He makes us despise him, cheer for him, laugh with him, and most frighteningly, fear ourselves. Professionally and artistically, this brilliant character immersion only deepens the tragedy of the young actor's untimely death. This historic film fulfills its promises and more. Christopher Nolan, now a proven giant behind the camera of art-house indies and epic blockbusters alike, has secured his place in history with this electric reminder that filmmaking is still an art no matter how much it becomes a business; most impressively, he has coherently merged these two realms: for once we will remember the film itself more than the hype that preceded it.





